Multimedia Designer

STORYTELLING,
DIRECTED WITH AI

DISCOVER
One minute of AI cinema

DIRECTING
THE MACHINE

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3D ANIMATION

CRAFTING
DIGITAL REALMS

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Thesis research

THE NPC THAT
REMEMBERS

Discover

FINAL CUT

Five reasons to start a conversation. I direct AI like a crew, so the story stays human and the production value reads bigger than the room that made it.

Cinematic still of a hand annotating a screenplay in late-afternoon window light: story-first thinking, every cut treated like a sentence.

STORY-FIRST THINKING

A literary background that treats every cut like a sentence. I prioritize continuity, gaze, and rhythm before spectacle, so each frame earns its place.

Cinematic still of a lone editor at a finishing suite, three glowing monitors showing character, 3D, and color scope: one person running the entire creative-tech pipeline.

FULL-STACK CREATIVE TECH

Image, video, and voice generation; 3D animation; color and finishing. I direct the whole pipeline, holding a studio's worth of craft in one head.

Editorial portrait with director's viewfinder, headphones, sketchbook, and stylus in soft focus: a creative who moves fluidly between writer, director, designer, and editor.

ADAPTABLE AND AUTONOMOUS

I move fluently between writer, director, designer, and editor, at home on any creative-tech stack. Drop me in mid-project and I'll find the through-line.

Cinematic still of a tailored figure on a fog-bound Newfoundland headland with a quiet cultural marker: a cross-cultural lens bridging Shanghai craft and Atlantic folklore.

CROSS-CULTURAL LENS

Bridging Shanghai corporate craft and Newfoundland folklore. I bring range and perspective most studios don't carry on staff, and I move easily between worlds.

Wide cinematic still of a lone director at a night finishing suite ringed by empty director, crew, and colorist chairs: every role staged through a directed AI pipeline to reach ambitious, cinema-scale scenes.

AMBITION ON SCREEN

A directed AI pipeline puts cinema-scale scenes within reach: crowds, eras, and locations that would otherwise need a full crew and a studio budget. The ambition shows up on screen, not the constraints.

The Reel